Archive for the ‘Jazz Transcriptions’ Category

Anthropology – Bud Powell

Monday, July 16th, 2007

I bought a live performance DVD from Jamey Aebersold, and was really captivated by this performance of Anthropology. It’s in Copenhagen, with “NIHOP” on bass. Lots of great “Bud” vocabulary here.

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You Stepped Out of a Dream – Sonny Clark

Sunday, June 3rd, 2007

From Dexter Gordon’s album A Swingin’ Affair. Great bebop vocabulary.

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Minority – Bill Evans

Wednesday, May 16th, 2007

From Everybody Digs Bill Evans

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Blues Walk – Ritchie Powell

Saturday, April 21st, 2007

From the alternate take on the album Clifford Brown and Max Roach, recorded in February 1955.  I transcribed this to study some sort-of generic blues vocabulary.

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Jeannine – Barry Harris

Saturday, March 17th, 2007

From Cannonball Adderley’s album Them Dirty Blues. I originally thought it was Bobby Timmons, but a check of the Jazz Discography Project (great resource, btw) confirms that the album was done in two sessions, and Barry Harris played on this one. Great bebop vocabulary.

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Satin Doll – McCoy Tyner

Thursday, March 8th, 2007

From the album McCoy Tyner plays Ellington, recorded in December 1964 for Prestige. I was looking for Tyner’s approach on super-conventional harmony. It’s still heavily rooted in speedy technique and pentatonics. (more…)

Grandfather’s Waltz – Bill Evans

Monday, July 31st, 2006

from But Beautiful, a live album recorded in 1974 with Stan Getz. This solo is jammed with the classic Bill Evans vocabulary that I love, and it’s quite a composition in it’s own right. (more…)

With a Song In My Heart – Sonny Clark

Thursday, June 1st, 2006

From the Great sextet album Sonny’s Crib, with Coltrane, Don Byrd, Curtis Fuller, Paul Chambers and Art Taylor. A great snapshot of the patterns Sonny could play at a blistering tempo! (more…)

Unit Seven – Wynton Kelley

Friday, September 9th, 2005

From Smokin’ at the Half Note (1965 with Wes Montgomery, Paul Chambers & Jimmy Cobb) (more…)

How My Heart Sings – Bill Evans

Saturday, April 2nd, 2005

from Getting Sentimental (1978 – live at the Vanguard with Philly Joe Jones on drums and Michael Moore on bass). My favorite chromatic 3-6-2-5 run comes from this solo.

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